INTERCONNECTIVETRAINING /English /German:
The advantage of different dance skills connecting and supporting one another.
One of the goals of this concept is to assimilate, stimulate and facilitate the enhacement of these varies dance connections. The ultimate finale is to incorporate and coordinate the different ideas into a subsequent whole and redistribute their techniques so that the individual scan portray personal creativity.
The Workshop is intended for people active in all areas which involve the body and movement, such as theater, dance, martinal arts, sport, bodywork, singing, education etc.. The participants will encounter themselves and each other – with the aim not merely of learning “languages” from each other – but of discovering a shared language of movement.
Images and concepts in the mind can generate a certain physical experience and initiate a flow of movement. However, the physical movement sensation is dependent on one`s own inner, intellectual concepts. The autonomous, organic flow of movement is so sronger influenced by the illusions of the imagination that, as often happens, a person is no longer able to perceive the physical, concrete sensation of movement without interference from his/her own thoughts.
The goal of this work is not only to negate or reserve the principle described above, but rather to enable each participant, through concrete movement exercises, to experience and understand his/her own physical structure with its personal, natural movements.
The key factor here is that each indvidual`s body and its movement is absolutely unique and personal. All human bodies are subject to the same basic principles (such as gravity, mechanics etc.) but due to differences of shape, size, strength, psyche, personal history etc. no two bodies possess the same set of circumstances. This workshop is about experiencing – and reflecting on – one`s own (moving) body.
Copyright: Robert Solomon
INTERCONNECTIVE TRAINING/German
Interconnective Training is aimed at people from all fields where body and movement play a role such as theater, dance, media, art, sports, bodywork, etc.
Participants meet each other and each other, not merely to learn “languages” from each other, but to discover the common language of movement. Fantasy images in the mind can trigger a certain physical experience and initiate a flow of movement.
However, the physical feeling of movement is dependent on one’s own inner, intellectual concepts. The independent, organic flow of movement is so strongly influenced by the illusion of fantasy that the person can no longer perceive the physical, concrete feeling of movement detached from himself or the preconceived images.
The goal of the work is not simply to suspend or reverse the principle described here, but to allow each participant to experience and understand their own body structure with its personal, natural movements through concrete movement exercises.
The decisive factor here is that the body and its movement is unique and personal to each individual. All human bodies are subject to the same basic principles, (such as gravity, mechanics, etc.) but because of differences such as shape, size, strength, psyche, personal history, etc., no two bodies are subject to the same conditions. It is about experiencing – and dealing with – one’s own (moving) body.
Copyright: R.K.S.